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Now featured on Artsy Shark!

Agua XIII The Red LeafI know I haven’t written a blog posting in a while-I’ve been so wrapped up in creating and organizing my artwork (not to mention exhibiting and creating a revised website) For 2014, I decided that I wanted to get back into chronicling my ideas and inspirations for my art. I have a lot of work to do: I received a notice that I will be showing in the gallery at the Florida State Capitol in 2015– more Seminole kimonos to create.

I have submitted work for the Florida Contemporary show at the Baker Museum of Art, and next week I am venturing over to Boca Raton to see two of my “Agua” series paintings, Red Leaf 1 and Red Leaf 2 in their opening day at the Nathaniel Rosen Museum and Gallery.

A happy and busy time for me.

Meanwhile, I submitted work to Artsy Shark, an online site that helps to promote visual artists. Carolyn Edlund of Artsy Shark selected my work after I made several revisions to my website and images. the results are amazing!

You can read about my work on the article here:Artsy Shark

Many thanks to Carolyn and her webmaster Jason Stambagh for making this happen!

Back from the Dry Cleaners

After a week at my favorite dry cleaners, the painting looks bright and shiny.  The silk threads glisten.  The main panel is ready for its two soulmates to be created !

Final Image for Wet World

Final Image for Wet World

Take it all off!

I am now in the final stretch of this piece.  I have added a few more colors to paint on, and then it’s time for waxing out.  As you can see, I am placing  sheets of newsprint over portions of the image at a time,  allowing the wax to absorb into the newsprint.  This takes at least 1/2 an hour of my time.  Quite  often I am asked:”How long does it take for you to create one of these paintings”.  I actually loose track after a while, but in this case, the photo enlargement, and placing on the fabric have taken over 3 hours; the waxing of the white layer took about two hours, then the remaining layers took another 4-5  hours.  This does not count the drying time between each layer of wax and dye. So for this project, I already have at least 11 hours work before touch up and finishing to go.

Ironing out the wax

Using newsprint to remove the wax

Rubbing off the excess dye before dryingIroning out the last traces of wax

The Continuing Process

Darker blue waters are added

Darker blue waters are added

Now I am getting really excited about this painting.  The colors are holding their own.  The next few photos are showing the build-up of color, moving towards the final result

Dying Steps, part 2

Dying # 4

Dying # 4, adding more color

After these first two rounds of dying and painting are completed, I go on and add more color, working from light to dark, trying to bring out as many details as I can. the painting begins to take shape

Version three of the dying process

I now can get started with my dying process. This painting is very complex, due to the number of color combinations and waxings that must be done in order to accomplish getting the information in front of me to look like what I have envisioned. I start by painting on all of the white areas with hot wax. This time around, pure white is few and far between, so after I do the initial waxing I paint on the next few colors: yellow for the floating debris, and a pale rose pink for the basic flesh. tone While the painting is still wet, I decide that it is too intense, so I paint a layer of ecru dye over the pink over the wet fabric, to more carefully match the color I am looking for. This gets waxed, and I keep on going…

"Warren's World" in the early stages

"Warren's World" in the early stages

"Warren's World" Panting with first few dyebaths started
“Warren’s World” Painting with the first few dye baths started

I know  that asking what you were doing while on vacation is a common question, but this time, I decided to try to show one tiny part of it in a new painting series I’m christening “The Water Series”.  While snorkeling with at Sandy Cay in the Bahamas, a photograph  I took of my husband snorkeling opened up a whole slew of new ideas on how to create the moment in Batik.  I would like to show how over the next few writings I created a new wall hanging that is still in process.  The first photo I am showing is the cool picture I took of Gill in the water snorkeling.  I liked the reptilian patterning on his arm and the way the light reflected on the surface of the bright turquoise water.  I took the photograph that I liked so much, and converted it into a line drawing in Photoshop.  I then blew up the black and white image to the size I wanted to create the painting, and proceeded to draw it on to a large piece of beautiful white upholstery grade silk that I had acquired  last year.  (Oh thank heaven for yard sales).  Then I began my wax and dying process.


Gill snorkeling in the Abacos

The photo that started a new series



The line drawing from the photo

The base layer for the new batik


Tucanos Tikal

Last November, my husband Gill and I traveled to Belize and Guatemala for a vacation.  As a part of this trip, we wanted to revist the ancient Mayan city of Tikal, a place we had stopped at the previous winter.  This time we stayed on the national park grounds for two nights at the Jungle Lodge.  It was a great experience and we hope to do it again.  As a part of that stay, we took a sunrise tour with a guide who grew up on the site while his father worked as an archaeologist.  We woke up at 4:30 am and hiked onto the temple grounds by the light of a flashlight, drinking in the sounds of Howler monkeys and birdsong.  It was really impressive seeing the sun begin to rise behind the pyramids, especially so when we hiked to the top of Temple Four to watch the sun try to breakout from behind the clouds.    The whole experience gave me inspiration for some new art images.

The one I am featuring here is based on the scenes of two Fiery Billed  Aracaris (members of the Toucan family) feasting on the berries of the Christmas Palms that were growing outside our room.  They were a riot to watch, peeling the outer skins off the seeds and throwing the pits to the ground one after an another.  They were joined by some Keel Billed Toucans, so there were numerous squabbles over who would get the fruit.  I shot dozens of photographs, and chose one of these images for this painting.  I am also featuring some  works in progress images so that you can see the start to finish of this 40″ x 30″ painting.

Close-up of batik

Close-up view of Tucanos Tikal in progress

phot of new batik in progress

A view of the batik after the early stages of waxing and dyeing

2Toucans in Christmas Palms

A Final Conclusion

Vote Yes! for Harness Racing"

I finally figured out how to photograph this new addition to the family.   After 2 years of trying to come to an end, I finally did it!.  Now I am trying to figure out how to carry this idea forward for future images in this format.  See what you think and let me know.  I am titling the image: “Vote Yes! For Harness Racing!”

The Seminole Kimono

Friday, I picked up my new painting from the tailor, with the “Sleeves” and center panel sewn into place and ready for hanging.  It came out great, and looks better in some ways than I imagined.  The problem now is trying to hang it to photograph.  The sleeves and folds makes it an awkward shape, long in a horizontal format, and not wide: 36″ tall by 72″ wide.  I shot one set of images, but am going to try again.  It is very different from the other pieces I have put together…


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