Tag Archive: Florida


 

1.31.15 Tallahasse pix  (60 of 77)

Old and new Florida State Capitol buildings; the 22nd Floor Gallery is at the top of the new State Capitol building

 The gallery setup December, 2014, rolled around and I hadn’t heard any more information and updates from the woman in charge of the gallery. I emailed and called for two weeks. I finally received the information that she was taking care of an elderly parent and would get back to me which she did about a week later. By this time it was early January. Another woman who told me she was the newly appointed curator for the gallery then contacted me. She gave me the information that I needed about when I was going to hang the artwork and when the show was going to be taken down. She then sent a revised layout of the gallery floor plan as they had renovated the space earlier in the year. I got to work and began taking the measurements of my work and laying the information onto the floor plan drawing. Fortunately, I had printed several copies and penciled in the dimensions so I could get the arrangement of work the way I wanted it to be displayed. A few days later I was with friends at a garden art show in Miami when I received a phone call from the curator. When they had transitioned over to the new curator, one of the artists that had been previously selected to exhibit had been mistakenly told that she could have the time slot to exhibit that I had been assigned. How was she going to resolve the problem and keep everyone happy? I agreed to allowing my work to be shown in the gallery for a month and a half and then move the artwork downstairs and across the street to the lobby of the Secretary of State’s office. They would move the artwork for me and re-hang the show. Whew! I finalized my arrangements and began packing my artwork.  After I bagged and wrapped all of my paintings I loaded up my station wagon with my husband and started the seven hour drive north to Tallahassee. We decided to make a mini vacation out of it and stretched it out over two days. We were then able to catch up with a friend in Tampa and spend the evening at a favorite restaurant in Ocala. We even ate three-dozen oysters at an old Florida restaurant near Tallahassee!

1.31.15 Tallahasse pix  (40 of 77)

Warren enjoying his Oyster feast

Rep. Mark Pafford & Mono

Representative Mark Pafford and friends

The next day we had made arrangements to meet State Representative Mark Pafford, the House Minority Whip in his office in the Capitol. We had met him a month earlier at a chance encounter in the Everglades and I had looked him up and told him when I was going to be in the building. Meanwhile, I had to park my car on the building grounds—not an easy task. The curator met us at the guard gate and arranged our parking while we went upstairs to see him. We then drove the car into the bowels of the building after the police ran a mirror under the car and lowered the security walls to allow us to drive in. We placed all of the artwork on a rolling cart and load it onto one of the two elevators that would stop at the twenty-second floor. Then the three of us began the over four hour process of hanging the work. The woman who was supposed to assist the curator was out helping her mother—otherwise the curator was going to have to hang the twenty-five pieces of artwork herself. Thank goodness for my husband the handyman!

2.2.15 Capitol Gallery Images (21 of 23)

Flamingo Fixit hanging “Hava Tampa”

He speeded up the task and quickly figured out the hanging logistics for some of the larger paintings. We worked until we were told we had to leave at 5:30 pm as the building was closing. When we tried to leave we had to speak to security through an intercom box so they could raise the guard gates. We drove off and celebrated with an early dinner and returned to the hotel for the evening.

SONY DSC

Muffy Clark Gill and Representative Kathleen Passidomo

  The next morning we met our State Representative, Kathleen Passidomo and her aide, at the gallery so she could see the exhibition and we could have some publicity pictures taken. (She ran her picture in her weekly newsletter that week). I took pictures of the entire exhibition for my own records and spent a few minutes savoring the excitement and self satisfaction. I had achieved my goal!  

The Creation of “Drake”

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Every once in a while, I like to let my readers see How I go about creating one of my Batik/Rozome paintings.  First off, My readers ask “What is Rozome?”  The easiest way I can explain it is that Rozome is a wax and dye resist process similar to Batik, but using Japanese bamboo brushes to paint the soy/beeswax onto the fabric, while a different style of bamboo brush pushes the dye into the dampened silk fabric, rather than immersing it in a dye tank.

For this painting I selected a photograph I took of a male Wood Duck that was take by me last spring at the Ellie Schiller Homosassa Springs Wildlife State Park in Central Florida.

This beautiful park features all animals that are found in the state of Florida with the exception of  “Lu “, the Hippo, an honorary citizen.  You can see all sorts of wonderful birds, manatees, otters, alligators and much more.  Well worth a visit!

I then enlarged my photograph so that I could make a large line drawing to work from. I used this drawing to serve as a road map for my project.  Working from the drawing, I transferred the lines onto a large piece of silk, creating my own drawing on the fabric. Then, after stretching the panel to keep it taught, I applied a layer of soy and beeswax to the areas that were to remain white.  Gradually, I would wax over each successive color from light to dark as you can see from these works in progress photos.  (I did the most of the background first before I went back in and worked on the duck).Image

During this process, I am following the hundreds of fine lines I drew on the back of the fabric so I could created the water effects (My friends think I am nuts). I am still waxing as each value of color is painted onImageHere you can see the darker tones are gradually being added.

 

ImageHere is the piece almost ready to be ironed out to remove the wax.

After I have removed most of the wax by ironing and blotting, I then roll the piece up in several layers of newsprint like a jellyroll and steam it for three hours in a converted Turkey fryer.  Removing the piece from the newsprint, I then rinse it in a chemical bath to remove any excess dye before I press it dry.  The painting is then ready for a photograph and to frame it!